sjar Chapter 692 The Weight of History
Chapter 692 The Weight of History
Si Nian saw Su Yunshu stop in front of the painting for a long time and asked curiously, "Is there anything special about this painting?"
"This painting is full of emotion, with distant mountains and rivers and a majestic brushstroke. It is worthy of being a masterpiece by a master." What Su Yunshu likes is the painting's sense of history.
The two walked side by side, strolling lightly in the spacious and bright museum exhibition hall. They seemed to be in a time tunnel, surrounded by artifacts and artworks that exuded an ancient atmosphere.
What catches the eye are paintings hanging on the walls, bearing the vicissitudes of time. These works depict the features and emotions of past eras with delicate brushstrokes and profound colors, making people immersed in them and feeling the heavy sense of history.
They followed the staff and came to the display cabinets with exquisite porcelain. The porcelains were of various shapes and exquisite craftsmanship. Some were painted with colorful patterns, while others showed the beauty of simplicity and grandeur. Whether it was blue and white porcelain or pastel porcelain, they all demonstrated the wisdom and creativity of ancient craftsmen.
Going further, there is an area where many bronze artifacts are displayed. These bronze artifacts still shine after thousands of years of wind and rain, and their unique shapes and complex patterns are breathtaking. They witness the development of human civilization and tell the glory and honor of that distant era.
In addition, there are a large number of precious books collected here. The yellowed pages exude a faint scent of ink, as if taking people back to the scene when the author created the book. From classical literature to scientific works, from philosophical thoughts to art theories, these books cover various fields and have become treasures in the treasure house of human knowledge.
Finally, the two were attracted by the dazzling array of jewelry in front of them. Diamonds, jades, pearls and other gems shone charmingly under the lights, like stars. Each piece of jewelry was carefully designed and made, reflecting the superb craftsmanship and aesthetic pursuit.
Each historical treasure carries thousands of years of cultural heritage and the crystallization of human wisdom. They may be exquisite porcelain, with delicate textures like a masterpiece of nature; or gorgeous silk fabrics, soft and smooth like silk, intoxicating to the touch; or precious jewelry, shining with dazzling light, as if telling the prosperity and glory of the past.
Facing so many rare treasures, Su Yunshu was overwhelmed. China was not lacking in so-called luxury goods! On the contrary, the real luxury was far beyond the reach of the so-called big brands of modern times.
The value, craftsmanship and stories behind these historical treasures make any modern luxury product pale in comparison.
They are not only material existence, but also a spiritual symbol, representing the long history and splendid civilization of the Chinese nation. In front of these historical treasures, those big brands sought after by the world seem insignificant, just like a small witch compared to a big witch.
Si Nian also had mixed feelings. In recent years, Chinese style had become popular in the music scene, and he had also sung a few Chinese style songs, but he always felt that something was missing.
When the Chinese style first emerged and began to become popular, it undoubtedly exuded a strong and unique Chinese flavor.
The Chinese-style works at that time were like exquisite paintings, skillfully blending ancient culture with modern music elements, which made people intoxicated.
Each song seems to carry thousands of years of historical accumulation and national sentiment, allowing people to feel the profoundness of Chinese traditional culture.
Time flies. With the emergence of Chinese-style songs like mushrooms after rain, people often feel a sense of inexplicable loss when listening to these works.
They seem to have lost their original purity and sincerity, and are replaced by some empty chanting, like whining without illness.
The melodies and lyrics that once touched the depths of the soul have now become increasingly bland, lacking the heart-shaking power they had in the beginning.
Perhaps it is because of the pressure of market demand that creators have to cater to the public taste; or perhaps they have lost their way in the pursuit of innovation, causing the Chinese style to gradually deviate from its proper track.
Regardless of the reason, this change is indeed regrettable. Si Nian can't help but miss the time when it was full of vitality and passion. At that time, the Chinese style was like a bright star in the night sky, illuminating the entire music scene.
I hope I can rediscover the soul of Chinese style and make this unique musical style shine again.